ATTENTION: Illustrator DEADLINES!!!

Hello everyone.

I want to encourage you to IMAGINE, CREATE & PREPARE for the journey of creating marvelous products for kidslit. There are some wonderful opportunities for you to take advantage of in our region.  

Just a little reminder:
Liz Conrad Scholarship and Art Director Mentorship
DEADLINE:  January 15th!  
It's right around the corner and this cold weekend will be a great time to write something up and submit.  Loraine Joyner, Art Director of Peachtree Publishers, is excited about assisting the awardee in their own career development.  Take advantage of the guidance.  It's valuable and....it's FREE! #nobrainer 

For more information, please go to the Southern Breeze website: http://southern-breeze.scbwi.org/for-our-illustrators/liz-conrad-portfolio-scholarship/


Jim Hoover's, Art Director with Viking Children's Books, Illustration Project 
DEADLINE: Sketches must be submitted to Jim via email by February 10This one will require a little more preparation, so don't miss the boat!  Make sure you follow the directions in the link below and prepare to submit by the deadline.  It's a great opportunity to have a review of your work at the conference.  Shine big ya'll and be seen! 
http://southern-breeze.scbwi.org/jim-hoover/

For more information, please go to the Southern Breeze website: 
http://southern-breeze.scbwi.org/jim-hoover/

For more informations about Southern Breeze & Springmingle:
http://southern-breeze.scbwi.org/

OK, all that being said, we look forward to seeing all of the great work you will put out in the world.  Southern Breeze has so much talent....let's show them who we are!

See you soon! Stay warm!

TeMika Grooms

SCBWI Southern Breeze Region
Illustrator Coordinator 

Southern-Breeze-IC@scbwi.org

Come Soar at #SpringMingle with 1-On-1 Critiques! - #SBreeze17

Come Soar at #SpringMingle with 1-On-1 Critiques!

What Can One-on-One Sessions Do for You?
by Tay Berryhill 

WIK attendees have three golden opportunities to receive feedback from agents: face-to-face critique, written manuscript critique, and one-on-one meetings with an agent. I’ve been fortunate to participate in all three. Each has helped me grow as a writer in different ways; all have advantages.

All written-only critiques are conducted by agents or editors who keenly target craft and marketability issues. Face-to-face critiques offer the same, but with the added benefit of a twelve-minute meeting with the expert who conducted the critique—although that person may not be an agent. One-on-one brings even more to the table—twenty minutes with an experienced agent to discuss anything. Anything. At WIK14, I spent my one-on-one time with literary agent Courtney Miller-Callihan of Greenburg Associates. Prior to our meeting, I submitted elevator pitches and one-paragraph synopses of three works-in-progress for Courtney to read in advance. I also put together a “goodie bag” of queries, first pages, and a full page synopsis of a finished draft, in case time allowed us to expand the discussion.

“...I mentioned a graphic novel I was outlining. Courtney gave me the name of her agent friend who represents graphic novels...”

During our first ten minutes, Courtney addressed the marketability of my WIPs, offering generous feedback on what was appealing and why, as well as potential pitfalls. Her input quickly gave me a clearer picture of which projects merited my attention. I then showed her a first page of the front runner, and she spent the rest of the session suggesting ways to improve it. All good. Before leaving, I mentioned a graphic novel I was outlining. Courtney gave me the name of her agent friend who represents graphic novels. I’m pretty sure that I danced out the door. For writers with a manuscript that needs detailed feedback, the formal manuscript critiques are invaluable. But for those also seeking individualized advice on queries, marketing, rejections, Internet presence, or any other topic an agent can enlighten, one-on-one is an ideal venue. Besides great advice, the meeting gave this tongue-tied writer the chance to relax and “talk shop” in a stress-free exchange with a fellow lover of words. Agents want to help us succeed. Let them. 

ABOUT TAY BERRYHILL:

Tay Berryhill writes young adult novels while also trying her hand at graphic novels and picture book illustrating. She lives in Birmingham with her husband and three dogs.    

REGISTRATION IS NOW OPEN! Click  :::HERE::: to log in and register.

~See you in March~

#SpringMingle - Dinner & Gala - #SBreeze17

Dinner & Gala

Who said conferences were all work and NOOOOOO fun? Let us set the record straight. That's not true. At conferences you meet new friends and get to have fun seeing old ones. You get to dip your toes into new adventures or plunge deeper into things you thought you already knew.
BUT that's not all that SpringMingle offers. There's a time and a place for you to let your hair down, eat some great food, grab a few drinks, and maybe even sing a karaoke song or two. It is the Dinner & Gala offered for a small extra fee on your registration. This meal is held after the Saturday day-long  part of the conference. So it's a wonderful time to sit back and relax, and enjoy time spent with fellow authors and illustrators.
If you're wanting to join in on the festivities, make sure you check the box for the Gala on Saturday night.

REGISTRATION IS NOW OPEN! Click  :::HERE::: to log in and register.

~See you in March~

#SpringMingle - Come Make Your Illustrations Soar w/ Loraine Joyner - #SBreeze17

Come Make Your Illustrations Soar with Loraine Joyner

Southern Breeze is pleased to announce that Loraine Joyner, former Art Director for Peachtree Publishers, will be the judge for the Liz Conrad Scholarship for Springmingle and Illustrators Day '17, and will participate in the Quickfire Portfolio review on Illustrators' Day. She will also be available for private portfolio reviews.

An added bonus for this year's Liz Conrad Scholarship includes a mentorship with Loraine for the winning illustrator. The winner of the scholarship will work with Loraine to complete the following in accordance with specified formatting and deadlines:

● a picturebook storyboard, including main character sketches and selection

● roughs for a selected scene

● final drawing of a scene

● final finish of a scene

● 3 character finishes of the main protagonist showing 3 distinctly different emotions, each from a different angle or point of view, but with no settings or secondary characters

The Mentorship will include meetings in person, skype, email or phone and will reflect what it would be like to work with an AD on a picture book project complete with required format specifications and deadlines to meet.

What an amazing opportunity for a lucky illustrator!

REGISTRATION IS NOW OPEN! Click  :::HERE::: to log in and register.

~See you in March~

#SpringMingle - Look, Illustrators, It's Jim Hoover! - #SBreeze17

Look, Illustrators. It's Jim Hoover!

Want your illustrating to soar? Then fly to sign up for Springmingle and catch a session with one of our super artsy speakers!

Jim Hoover is an Associate Art Director at Viking Children’s Books, and he’s been publishing books for over fifteen years. He’s designed and directed the art behind hundreds of picture books and he’s illustrated for DreamWorks as well as for many novel jackets and interior art. Now, he’s coming to Springmingle for Illustrator’s Day!

Visual Story Telling in Two Spreads 

Great picture books are a harmonious marriage of words and picture. A story’s magic happens when these two components work in tandem. For this assignment, please pick a text to work up two spreads for. The story can be something you are actively working on, or an idea you have been hoping to get the time to draft into a more fleshed out story. Or you can do two spreads from a classic story or fairytale you’ve always loved. The spreads don’t need to be consecutive, but think about how to best present this portion of your picture book to your audience—which in this case, is an art director. At the end of the assignment, you will have two pieces for your portfolio which means that your audience will also be editors and agents. How can you hook your audience with two spreads from a picture book?

Sketches will be submitted to Jim via email and are due no later than February 10. Jim will then give you feed back via email for you to incorporate into your final pieces of art—which will be discussed as a group in person the day of the session.

Please note: There is limited enrollment and an additional fee for those participating in the Illustration Project. The preliminary and final work will be presented and discussed at Illustrator’s Day.

Hoover will also present two sessions on Saturday, including “Marrying Text and Pictures to Tell a Great Story” and “All About the Cover!” For his cover session, he’d like you to do a picture book cover, especially if you attend on Friday (two spreads AND a cover! You are practically there!) You can bring a few thumbnails and discuss—if you want feedback on direction, or a final piece of finished art. If you bring a finished piece of art, please do bring a few thumbnails as well—it’s like math—he wants to see your process. Show the work!

A ton of feedback for our illustrators from Jim Hoover! But you can’t get it unless you join us in Decatur, March 10th-12th at Springmingle, the only conference in Southern Breeze for 2017!

REGISTRATION IS NOW OPEN! Click  :::HERE::: to log in and register.

~See you in March~